"One of the richest sacral buildings of central type in Croatia is Mary Magdalene church in village Sela near Sisak. Such building in these parts can be explained only by influence of Viennese circle of architects." - Đ. Cvitanović
Bed stone for the new church was laid in 1759, and construction was complete in 1765. Church was built by Italian artisans helped by locals and serfs of Captol. Building material is mainly reused Roman bricks from old Siscia. Together with accompanying residential house, church in Sela is unique baroque phenomenon in our cultural heritage.
This model was complex for it's ellipsoid dome and intricate tops of the steeples, as well as rich ornaments all over the building. Due to GE guidelines many details are simplified and displayed only using textures. Additional problem were canopies close to church. It was hard to make picture of entire facade, so I used panorama stitcher (free Microsoft ICE) to make one complete image of facade and corrected it's perspective. I used follow-me tool for the dome and tower tops. To establish correct heights, I lifted the base from the map layer and used photo match to get heights relative to widths of the objects.
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"Jedna među najraskošnijim crkvenim građevinama centralnog tipa u Hrvatskoj je sv. Marija Magdalena u Selima kod Siska. Pojavu takve crkve na ovome prostoru možemo jedino protumačiti utjecajem bečkog kruga arhitekata..." - Đ. Cvitanović
Kamen temeljac za novu crkvu postavljen je 1759. godine, a završena je 1765. godine. Crkvu su gradili talijanski majstori graditelji uz pomoć domaćeg stanovništva te kaptolskih kmetova od razvalina stare Siscije. Zajedno s kurijom, crkva u Selima je jedinstveni barokni fenomen u našoj kulturnoj baštini.
Ovaj model je bio složen zbog kupole elipsaste baze, složenih lukovica na tornjevima, i bogatih ornamenata na pročelju i zvonicima. Prema smjernicama za GE 3d layer, puno detalja je pojednostavljeno i prikazano teksturama. Dodatni problem su bile krošnje drveća uz crkvu, zbog čega je bilo teško slikati cijelo pročelje sa zvonicima, riješenje je bilo snimiti panoramu i onda ju ispraviti u perspektivi. Koristio sam follow-me alat za lukovice i kupolu, za uspostavljanje proporcija koristio sam bazu podignutu iz tlocrta preko koje sam napravio projekciju fotografije kako bih dobio visine relativno prema širinama.